ArchivesSpace at the University of Iowa

This book consists mostly of interviews of mail artists. -- Source of annotation: Marvin or Ruth Sackner.

This book lists activities of Ruch in the correspondence art scene over a two decade period. There is a listing of collections that hold his works including the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.

Deals with the "mechanics" and results of collaboration between poets and writers through essays contributed by the participants. -- Source of annotation: Marvin or Ruth Sackner.

The six essays in this catalog provide a history of the contemporary correspondence art movement. -- Source of annotation: Marvin or Ruth Sackner.

The letter and envelope have the shape of an Isoceles triangle. Cinicolo thanks Houedard for his hospitality during his visit to Prinknash abbey. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

Baroni in an essay, "Of Cyberwebs & Snailwebs," states that the death of Ray Johnson was a turning point in the mail art network. Points out that mail art is now collected and appreciated in academic circles at the same time that a contrary form of communication, internet surfing has now begun. However, believes that it will be "collaboration not competition, old and new media helping one another, integrated into a global tactic that should evolve [h]armoniously and lovingly." In addition, Baroni describes the making of his E.O.N. Share Piece, a work held by the Sackner Archive, as well as his experiences on the Internet. -- Source of annotation: Marvin or Ruth Sackner.

This issue consists of an interview of Vittore Baroni by Ruud Janssen. The questions consisted of 1) What kind of legacy are mail artists leaving to Internet surfers?, 2) Some readers of this interview might not know your magazine Arte Postale! What is your magazine about?, 3) Do you keep an Archive? -- Source of annotation: Marvin or Ruth Sackner.

Stored in Robert Rehfeldt box. -- Source of annotation: Marvin or Ruth Sackner.

Baroni discusses his beginnings as a stamp and correspondence artist and Arte Postale. He mentions collaborative texts for a CD and floppy dics, and a book project in 1993. -- Source of annotation: Marvin or Ruth Sackner.

Thie work documents Tot's prices for correspondence art. -- Source of annotation: Marvin or Ruth Sackner.